I COMPARE writing a story to creating a car. I want to design a story which looks unlike any story ever seen—yet remains capable of motoring at a good clip down the street.
As a writer and reader, speed (pace) thrills me.
My latest design is out on a test drive track. I want to see how it handles before I release it. Any auto shows I can display it at?
It’s a unique design, though it doesn’t go all the way in new design. Merely has new features. It’s packed with ideas. The reader might find a standard narrative in the story’s body.
A straight narrative can go fast and be exciting. See “The Red Door” in my ebook Ten Pop Stories. My new story is 15,000 words. Fast, not full-size (novel length), but not a mini-sportster either. The new features are intended to help the underlying tale go faster—and become more breathtaking. How it uses time is key.
(There’s the chance the story will instead appear misshapen.)
A story as wild ride?
That’s the objective. To make an Alice Munro kind of story look like a Model T. If I haven’t quite achieved the objective with my prototype, I hope to at least point the way toward future offerings. The story design shop I run is ongoing.