Showing posts with label ebooks. Show all posts
Showing posts with label ebooks. Show all posts

Friday, February 27, 2015

Oates and Bureaucracy

HERE COME THE REGULATORS

Warlock

I found it interesting but not surprising to see esteemed establishment novelist Joyce Carol Oates come out strongly in favor of so-called Net Neutrality. She well represents the mindset of the system writer.

What’s a system writer? One who’s operated inside established bureaucracies since university days. In a sense Oates—like so many established authors—has never left the university. (She teaches there now, at Princeton.) These are writers who operate within the present system. Trained in the proper modes at college. If they’re “good” enough they move on to publication at one of the publishing giants. They write within the system as beribboned pets. Given plenty of treats to be compensated for having no control over their art. At all times they are inferior, within the pyramid of publishing, to the publishers, agents, editors; corporate execs and marketing experts, who decide what the final product will look like and how it will be presented. The writer is merely along for the ride.

It’s a stress-free environment, full of security, BECAUSE the writer has abdicated final responsibility and say over the artwork.

The alternative to this is the Do It Yourself writer—who controls every aspect of the process. Including what the publication will look like and how it will be marketed. It’s a tough path—but it allows said writer to maintain integrity.

For the DIY writer, Amazon is merely a necessary vehicle for distribution of the art. Before ebooks came around I published and sold my own zines. I know that the success of much-scorned Amazon is likely temporary. There were vehicles available for the DIY writer before Amazon. There will be vehicles available after it. (We at NEW POP LIT are in the early stages of creating one.) The world is in constant flux and change.

How does this apply to “Net Neutrality”? The system writer is never herself directly subject to regulation. That’s out of her domain. Remain obedient; crank out proper product—properly politically correct—and such issues are handled by the big guys.

Anyone who’s faced government regulators up close is not so complacent. Those who know what it’s like to deal with a gigantic government bureaucracy.

I did so for a portion of the 1990’s, when I worked as a middleman at the Detroit-Canada border; conduit between shippers bringing goods into the country, and the Customs officials whose job it is to ensure that all rules are properly followed. I eventually obtained a Customshouse Brokers license after taking a five-hour exam ensuring I well knew those regulations.

The problem with government bureaucracy as I witnessed it is that it never stops growing. Expanding. Multiplying. More laws passed. More federal regulations designed to enforce those laws added. Every year, the book of regs (CFR) kept getting thicker. The amount of rules one was required to be familiar with always increasing. You try to keep up—to present all paperwork properly—but eventually your mind feels about to explode.

The NAFTA act was sold as “free trade”—yet an entire volume of regulations was added to regulate this “free” trade. I left the business in 1999. I can only imagine what things are like now.

Net Neutrality, by classifying the Internet as a public utility, allows federal regulators in the form of the FCC to put a giant foot into the door of the Internet, all in the name of “freedom.” (See Orwell: Slavery is Freedom.) The Internet of course is enormous. How many bureaucrats will now need to be hired to police it? How many volumes of regulations added to clarify this action or that action? It’s the path toward bureaucratic nightmare.

The saying goes, if it’s not broken, don’t fix it. Yes, the largest service providers might do this and might do that. I’d prefer a self-policing situation.

Not to worry. Our officially-designated intellectuals—Joyce Carol Oates only one of them—have decided within their carefully-controlled bubble world that all is okay. They’ve never operated outside an institution—are likely more comfortable within one. House cats for whom the system takes care of every need. Well fed and pampered—and naturally scornful of alley cats outside the well-built house, running free and wild on the streets.

The only good news is that the house of publishing at least is in a state of decay, and may at any time collapse.

***************

Has any American novelist dared to credibly write about THE story of latter-day American civilization: the rise of gigantic bureaucracy? The only one I can think of is James Gould Cozzens, who handled the subject in his World War II novel Guard of Honor. Cozzens was a defender of American Empire. His novel is a picture of its very creation. As much as he defends the growing military complex, he shows at the same time its built-in corruptions, incompetence, and inefficiencies. Afflictions part of any bureaucracy—including the publishing/literary system of today.

Would that we had such novelists now willing to look with unflinching eyes at the hives within which so many of us live and work—the bureaucratic beasts.

Sunday, August 31, 2014

Shooting the Messenger

AS I’VE LIVED much of my life in Detroit, and had it drummed into my head over and over that change is inevitable, I’m sensitive to economic change elsewhere in the world—particularly the inability to recognize or acknowledge drastic change.

It was with this mindset that I jumped briefly into a discussion at the widely-read literary blog The Millions. The topic of the thread, “Practical Art: On Teaching the Business of Creative Writing,” was the idea of introducing business questions into the structure of creative programs. What I found interesting in the initial post by Nick Ripatrazone, and subsequent comments, is that no one acknowledged the proverbial elephant in the room. (See the post here—you’ll have to scroll down to reach my remarks: http://www.themillions.com/2014/08/practical-art-on-teaching-the-business-of-creative-writing.html)

My comments were aggressive, but not extreme by any means. They were written with clarity and intelligence. What I found interesting in the responses was that no one addressed my point about the uncompetitiveness of the book publishing giants. One respondent finessed the issue, saying it would be a shame if the big publishers went under. Well, maybe, but that’s not the point. The point is that change in the publishing realm IS happening. It does a disservice to students in writing programs not to mention this. Students should be given all the options available to them.

Neither was I advocating excluding the big publishers from the marketplace, or from the world of literary ideas. That’s scarcely an option. I’m sure some of them will survive, in retrenched form. Like most bureaucracies—the Detroit automakers a notable example—they likely won’t change until reality comes crashing down upon them; when they can willfully ignore reality no longer.

Neither would I want to exclude literary writers from literature—though I’d suggest they learn to tweak their writing, to make it more competitive in a changing world. My co-editor at www.newpoplit.com, Andrea Nolen, and myself want to walk a middle path between the two extremes of literary and popular writing. We’ve stated again and again that the short story should be able to be both. (However, to suggest that Nobel Prize-winning short story writer Alice Munro, with her lengthy paragraphs and endless descriptions of trifles, her turtle’s pace, is readable and pop is absurd.) NEW POP LIT is designed to offer an alternative to both camps. I went on The Millions site to get word out to MFA/status quo writers who otherwise wouldn’t consider amending their art, to write what we call The New New.

After the reasonable comments of “Hot Ossuary” came a predictable demi-puppet attack by someone named “Toad.” A classic case of cognitive dissonance. I have no doubt that Toad read my remarks as he described them. It’s a condition of the human animal that when encountering sudden contrary ideas, the average person will at first see only red—the mind distorts the message, reading the words emotionally, instead of seeing what’s actually there. Toad ends up making me look moderate!

I suspect that within five years even Toad, as well as the blog he appears on (and for?) will be open to DIY ebook writing. In the face of reality, all bandwagons and their followers eventually change course.

Saturday, May 25, 2013

King Wenclas Ebooks

A reminder that, when I’m slow at posting new material here, the best source for my thoughts on today’s literature is my collection of five ebooks.

-The most recent of the group, The McSweeneys Gang, while part satire and part mystery story, also contains many opinions and observations about the current literary world, and about the direction of American literature.

-My e-novel The Tower, an examination of a protest, contains a more subtle array of observations (though much of the plot is over the top). Included, for instance, is a chapter about a cultural hipster.

-One of the tales in the trilogy Mood Detroit contains a scene set at a literary reading. Another story, about two female rock musicians, could be seen as an analogy to the lit world.

-Crime City USA is a pulpish novella about a corrupt city. What’s more corrupt than today’s literary world? Is not “Fake Face” a recognizable character?

-Ten Pop Stories contains an array of new approaches to the American short story, which in the hands of workshop scribblers has, as an art form, been stuck at a dead end the past fifty years. New approaches are demanded.

The great thing about these five ebooks is they’re available at Nook Books or the Kindle Store, or on associated apps. The five ebooks are also ridiculously affordable. There’s no excuse for not having them in your ebook collection—representatives of a tiny corner of literary dissent. Read them before they’re taken down! In style and thought they’re unlike anything being published on-line or off.

Monday, June 18, 2012

"Are Cheap Ebooks Bad for Readers?"

So asks The New Yorker in their promo for the Ken Auletta piece--
http://www.newyorker.com/online/2012/06/25/120625on_audio_amazon

Are inexpensive products ever bad for consumers? Or do they not offer greater choice and an expanded market?

The days of gatekeepers manning a top-heavy, hyperexpensive publishing establishment are over.

(My new The Tower e-novel is a faster, more explosive and more relevant reading experience than anything put out by ICM's precious literary authors. Read it and find out.)

Thursday, April 26, 2012

E-Book Reading CHALLENGE

I, King Wenclas, independent writer and ebook publisher,

CHALLENGE

any literary person, or defender of the publishing industry's price-fixing,
to read my new e-novel,
THE TOWER,
and name a better novel produced by publishing's Big Six this decade.

Two Points:
1.) Many good writers are shut out of mainstream publishing for reasons that have nothing to do with quality, marketability, or art.
2.) Some indy ebook novels are already competitive with the very best from the book conglomerates. By virtue of their independence-- their ability to take artistic risks-- they may be better.

The gauntlet has been thrown. Who'll respond?

(THE TOWER is available for $1.99 via Nook Books and, yes, Amazon's Kindle Store.)