Showing posts with label Karl Wenclas. Show all posts
Showing posts with label Karl Wenclas. Show all posts

Tuesday, January 20, 2026

A Short Detroit Story

 (NOTES FOUND IN AN OLD NOTEBOOK)

Jim was dozing standing up against a sign at a bus stop on a street corner early morning sun sneaking into a blue-gray sky, Jim wondering if the bus would ever arrive, buses were notoriously late in this city. Two hours late sometimes. An old Victorian house sat across the street from him, in shambles, looking like how he felt. Decay spread in all directions. Jim closed his eyes.

Two men chatted next to him.

"You need a shave," one told him in a mocking gentle African-toned voice.

The blade of a knife rested comfortably against Jim's throat.

"That's okay, I have my own razor," Jim mumbled comfortably in his dream.

"What?" the voice asked, moving the knife up and placing it against Jim's face. "I'm takin' his jacket," the man said to his companion. "You can have his cap." The leather jacket had cost Jim eighty dollars at a resale shop and was in almost-new condition.

"Don't fuck with me!" Jim shouted as he snapped awake and pulled away.

His own green-handled knife always carried in his jacket pocket was in his hand, snapped open. Everyone in the vicinity was suddenly very awake.

"Whoa!" said the man with the knife; he'd jumped back with an expression of surprise at Jim's angry voice as much as by the fact of his blade. The man instinctively jabbed in Jim's direction as Jim stabbed at the character's own torso, at the same time watching the friend standing back shouting encouragement-- "stab the motherfucker"-- while not further involving himself, in fact stepping back as Jim's antagonist moved slowly backward also watching Jim with careful eyes. Jim stabbed toward the man again and the man replied likewise, coming close, as Jim realized with detachment and analytical relief the man was his own size, his arms the same length. 

Jim's stance was not that of a boxer, with left foot forward, which would've been foolish in this kind of fight. His feet instead were aligned, two feet apart, and he moved in a mild crouch, so that his torso was set back, his arms forward, the green knife moving, held firmly, seeking a target. A fistfight without knives certainly would've been more interesting. Jim wondered if most knife fights were like this-- to get close enough to seriously stab someone you risked getting seriously punctured yourself. His foe's arms worked furiously as if throwing punches which seemed to come up short. Each time, Jim countered with a lunging thrust and the man jumped back a pace. 

Out of nowhere a large metal-shaking clanking green bus pulled up. Jim slipped his opened knife into his pocket and stepped onto the bus, his morning's ride. His two friends outside the bus danced and laughed at him, talking and gesticulating wildly as the bus door creaked closed, the heavy-set stoic black driver staring blankly ahead, the passengers purposefully absorbed in their own routines, just another day in this city. As Jim pushed through the crowd and found a seat near the back he noticed knife slashes across the front of his jacket-- his best possession-- also on the sleeves, the nice jacket ruined. He leaned his head back as the bus clattered along, closed his eyes and resumed his daydream. 

Friday, December 26, 2025

Latest Movie Review

 HERE'S my latest movie review at IMDB-- more a rant than a review-- this one about the 2024 film "A Complete Unknown." You can read the review here.

Wednesday, June 25, 2025

Recently Published in Frighty #2!

 (The blogger finally gets around to announcing on his blog his latest credit, publication in the newest release from one of the most exciting human-centered happenings on today's literary scene.)

Tired of AI slop?! Of the overregulated robotic by-the-rules mindset which comes with it?

One solution is Wred Fright's new Frighty zine. The kind of off-the-wall from-the-people writing that won't be done by robots.

The issue includes a short rant by myself.

Read about the second issue here.

Humanity is back!

Monday, June 09, 2025

Reading Lists

 IN RESPONSE to reading lists appearing in some corners of the literary world-- invariably containing the names of currently approved authors-- I offered my own "Literary Unorthodoxy" list.

In response to my list, New Pop Lit Assistant Editor Kathleen M. Crane then came up with her own, titled "Another Reading List."

(She offered twelve names. Mine only had ten.)

Wednesday, May 28, 2025

Monday, May 19, 2025

New Mention

 For what it's worth, I received a mention in a recent column at Compact magazine, grouped in with promoters of "rebellion lit": those writers and literary projects out to renew the art. (Long-time followers of this blog know I've been at it for awhile.)


Here's the column: https://www.compactmag.com/article/the-great-american-novel-will-not-be-substacked/

Wednesday, January 08, 2025

Fiction 2025

 


THE QUESTION is whether fiction-- our literature-- will ever change, or stay stuck in a rut like a car in a ditch, in the mud, tires no longer even spinning-- our literary mandarins press the accelerator but nothing happens, maybe it's broken. Or their foot presses too gently.

Literature isn't moving. It's marginalized. Trapped behind walls. The elite still attend parties-- in Brooklyn, mostly-- while going through the motions of being important, but they all sound tired. It's all been done. Their book education in a stuffy house, too large, with stuffy, usually absent parents. Big armchairs to hide in, resting on plush burgundy carpeting, with heavy green drapes covering windows to keep the world outside. So they can hide. They've been hiding their entire lives-- still are, frankly-- with books full of long corridors they can hide within. Intellectual-- the facade of intellectualism anyway-- not exciting. Don't give them anything exciting, or emotional, or political-- they've been conditioned to ignore anything of relevance in this chaotic society-- that which SHOULD be addressed by these writers and their acolytes.

Instead they're lost on a Virginia Woolf island searching for an elusive lighthouse. They're not moving, and they're not leaving.

Which leaves us: what? 

It leaves opportunity for change.

A tumultuous new year requires all-new ideas.

(Among my new is a new novella, The Loud Boys, available at Kindle, Kobo and Nook Books.

Monday, January 06, 2025

"The Loud Boys" Is Here!

 State of the art "hyper-pop" writing has arrived. The Loud Boys novella is now available at Amazon's Kindle, at Kobo-- soon, at Barnes & Noble's Nook, with a print version to follow.

Fast-paced multidimensional writing that's topical and relevant? Check it out!



Wednesday, May 23, 2018

Karl Wenclas Reads from "Hamlet"


YES, I thought, why not tackle the best? In this recording I start out with one of the lesser-known soliloquies-- after Hamlet has just seen the ghost of his father. Needless to say, the young man is shaken and angry. Anyway, this is my interpretation--

https://soundcloud.com/user-231741316/a-hamlet-soliloquy

(Painting by Benjamin West.)

Wednesday, March 21, 2018

"Bad Poetry"

A SPOKEN WORD POEM FOR WORLD POETRY DAY


I've just started getting back into spoken word (we have a new Open Mic feature at the New Pop Lit site). I did quite a few open mics when I lived in Philadelphia; read against some dynamite underground poets, Frank D. Walsh and Michael Grover among them. I wasn't always consistent-- but tried to make it difficult for someone to follow me in the lineup.

Here's something I recorded today for World Poetry Day-- partial reworking of something I wrote several years ago. A bit over-the-top! I'll be doing better. . . .

"Bad Poetry"

Saturday, February 03, 2018

Two Essays


A REMINDER that not only do I run a literary site, with all that entails (and work a shitty job)-- but I also write. This past week in my spare time I wrote two essays:

One about Detroit.

The other a short review of The NewYorker magazine.

Take a look. I don't post here much anymore but I occasionally put my ideas out there someplace.

(Painting by Colin Campbell Cooper.)