Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

Tuesday, January 20, 2026

A Short Detroit Story

 (NOTES FOUND IN AN OLD NOTEBOOK)

Jim was dozing standing up against a sign at a bus stop on a street corner early morning sun sneaking into a blue-gray sky, Jim wondering if the bus would ever arrive, buses were notoriously late in this city. Two hours late sometimes. An old Victorian house sat across the street from him, in shambles, looking like how he felt. Decay spread in all directions. Jim closed his eyes.

Two men chatted next to him.

"You need a shave," one told him in a mocking gentle African-toned voice.

The blade of a knife rested comfortably against Jim's throat.

"That's okay, I have my own razor," Jim mumbled comfortably in his dream.

"What?" the voice asked, moving the knife up and placing it against Jim's face. "I'm takin' his jacket," the man said to his companion. "You can have his cap." The leather jacket had cost Jim eighty dollars at a resale shop and was in almost-new condition.

"Don't fuck with me!" Jim shouted as he snapped awake and pulled away.

His own green-handled knife always carried in his jacket pocket was in his hand, snapped open. Everyone in the vicinity was suddenly very awake.

"Whoa!" said the man with the knife; he'd jumped back with an expression of surprise at Jim's angry voice as much as by the fact of his blade. The man instinctively jabbed in Jim's direction as Jim stabbed at the character's own torso, at the same time watching the friend standing back shouting encouragement-- "stab the motherfucker"-- while not further involving himself, in fact stepping back as Jim's antagonist moved slowly backward also watching Jim with careful eyes. Jim stabbed toward the man again and the man replied likewise, coming close, as Jim realized with detachment and analytical relief the man was his own size, his arms the same length. 

Jim's stance was not that of a boxer, with left foot forward, which would've been foolish in this kind of fight. His feet instead were aligned, two feet apart, and he moved in a mild crouch, so that his torso was set back, his arms forward, the green knife moving, held firmly, seeking a target. A fistfight without knives certainly would've been more interesting. Jim wondered if most knife fights were like this-- to get close enough to seriously stab someone you risked getting seriously punctured yourself. His foe's arms worked furiously as if throwing punches which seemed to come up short. Each time, Jim countered with a lunging thrust and the man jumped back a pace. 

Out of nowhere a large metal-shaking clanking green bus pulled up. Jim slipped his opened knife into his pocket and stepped onto the bus, his morning's ride. His two friends outside the bus danced and laughed at him, talking and gesticulating wildly as the bus door creaked closed, the heavy-set stoic black driver staring blankly ahead, the passengers purposefully absorbed in their own routines, just another day in this city. As Jim pushed through the crowd and found a seat near the back he noticed knife slashes across the front of his jacket-- his best possession-- also on the sleeves, the nice jacket ruined. He leaned his head back as the bus clattered along, closed his eyes and resumed his daydream. 

Tuesday, November 05, 2019

The Multidimensional Short Story

What have I been up to the past months?

For one thing, helping to develop the "3-D" multidimensional short story. One has been released here:

"Vodka Friday Night"

Friday, November 06, 2015

Formatting a Book

NPL Cover 2 Hi

I’m happy to announce that NEW POP LIT #1 (which might be called Issue One Revamped) is back from the printer. It looks good. More than good. It looks great.

I have found throughout the course of the text a few infuriating trivial mistakes which somehow I missed. Trivial for sure in the larger context of what we’re doing, because the book is a very good product, containing terrific writing. BUT, the failure of achieving 100%—which a book needs to be—plunges me back into the maddening experience of formatting the thing.

Putting together a book online, especially a collection of diverse contributions, is not like designing zines, of which I’ve done many. The way I produced zines, offline, every step was analog. Meaning, when I finished a page, it was finished. Unchanging.

A digital file by contrast is always changing. Make a change in one part of the file, and suddenly a score of changes have taken place throughout. Like the butterfly effect—a butterfly flapping its wings can have effects on the other end of the universe. In this case, the other end of the file. An added word or spaced line can mean two extra pages.

I worked on the book at night, after getting home from a grinding evening “day job.” I soon found I was doing a mind meld with the file. The file became part of my brain. The gaps in the file became echoed by gaps in my tired brain.

I was putting a dozen or more files together, each one formatted differently, along with inserted artwork. Each time I made a change in the file as a whole, it caused a proliferation of changes within each separate file. Even when I thought I’d brought them tediously up to speed. For instance, when I was 90% done, I decided the margins needed to be justified. A good move, but it threw off everything. Was the file also  “register true”? Oops! Another change to be made, causing other changes. Don’t ask me about titles, headers, and footers. I’m still absorbing my learning in those areas.

When you don’t take these steps in the proper order—I was operating by trial and error—then after each step you should proofread every single part of the file. Stories, poems, art, contents page, title page: everything. This becomes mentally exhausting. You begin skipping and scanning. The contents are of high quality. At times, the submissions are amazing. But that doesn’t mean you can reread them word by word night after night with ease! (The re-readings made me realize how amazing the pieces are. I have total appreciation for the talents of the writers and artists we were able to find.)

I took the obstacles and challenges as a kind of punishment given me from the mind of the universe for the extreme hubris of my past life. Maybe as a warning not to be arrogant and self-satisfied this time around. I’m thankful that I have another “this time” in which to push my ideas, and maybe, this time, to get them right.

The upside in the experience is that eventually you reach a point when you’re able to be a little creative. It’s why I’ve decided to keep going. I truly believe I can create books, in look, style, and writing, that will be a step beyond anything produced by the mainstream. If I can visualize it, I can create it—the creation dependent of course on the ability to find talents like those we’re showcasing in this our first title—from cover artist Alyssa Klash (our cover a fully realized achievement) to “Pop Picasso” insert artist Dan Nielsen, to unbelievable writers like Jessie Lynn McMains, Thomas Mundt, Brittany Terwilliger, Alex Bernstein, Robin Dunn et.al., with exclamation marks; to interview subject author/publisher Delphine Pontvieux; and to the very special Kathleen Crane, without whose support and encouragement this project would be floundering.

Now comes the task of promoting and selling the produced thing, which should be easy!

Friday, October 31, 2014

“Horror House”

The Latest at NEW POP LIT

Two young hipsters, Darla and Simon—one of them an artist—decide to open their own haunted house. Complications ensue.

New pop fiction from a mysterious character known as “Ghost Writer.” (Who is the Ghost Writer?)

http://newpoplit.com/portfolio/horror-house/

Enter our haunted literary house for fun and thrills!