A Different Take on Warwick Sabin

Here's an interesting online piece by Marc Smirnoff, founder and former editor of the Oxford American. It's curious what you find when you do some superficial digging in the realm of the literary world:

http://www.editorsinlove.com/editor-smirnoff-on-editor-hodge

Things get curiouser and curiouser. The piece does provide us with a glimpse of the Big Money boys who stand behind so much of the establishment literary world. It's a part of lit that Tom Bissell will never cover, and which writers like Maria Bustillos and Johannes Lichtman refuse to know about.

I like Smirnoff's point that journalists are supposed to get both sides of a story. This is what those who've applauded Bissell's faulty ULA essay have determinedly refused to do.

How Corrupt Is Corrupt?

THE INTENT TO SMEAR

If the 2012 republication by McSweeney’s of Tom Bissell’s attack essay against the Underground Literary Alliance was the continuation of a vendetta by McSweeney’s against the Underground Literary Alliance, the Oxford American review of Bissell’s book by Johannes Lichtman takes the feud one step farther. The review condenses several of Tom Bissell’s misrepresentations and falsehoods into one paragraph at the top of the review for stronger effect.

The intent behind the smear has to be questioned, in that Oxford American editor Roger D. Hodge is Tom Bissell’s long-time friend and patron. They worked together at Harper’s magazine in 1996-97. Bissell has singled out Hodge for thanks in book acknowledgments. Hodge, while a Harper’s editor in the 2000’s, was apparently key in establishing Bissell’s career as an essayist.

Roger Hodge was at the center of questionable behavior while a Harper’s editor—behavior which the ULA covered.

(For an objective look at one of the issues, see this article by Tom Scocca-- http://observer.com/2004/05/off-the-record-54/ Scroll down the page to get to the Centralia fire matter. I covered this story as a follow-up to another possible Harper’s plagiarism issue early in 2005.)

Can we believe that Bissell and Hodge had no role whatsoever in Lichtman’s hatchet job review? Consider the history, then reread Lichtman’s review, which viciously goes after the ULA from the outset: http://www.oxfordamerican.org/articles/2012/nov/27/indiecent-exposure-tom-bissell/

Tom Bissell won’t answer questions here about his ULA essay—he’s been caught laughing at these posts on Facebook—but he’s apparently not above encouraging more smears, coming from once-reputable sources.

It’s an example of how corrupt the established literary world is now. Once-prestigious literary journals like Oxford American are mere tools to use for the personal settling of scores. To use the Oxford American in this way smears the journal itself as much as it smears the Underground Literary Alliance. Truth, objectivity, and integrity have been trampled.

Is the established literary scene in such shaky shape that it needs to spend a year smearing a writers advocacy group which is no longer active? Esteemed outlets like New York Times, L.A. Review of Books, Kirkus Reviews, and many others have joined in kicking around a whistle-blowing outfit whose crime was exposing cronyism and corruption at the highest levels of the literary scene, involving some of the lit world’s most powerful figures. You don’t do that and easily get away with it—and so the vendetta by the literary establishment against the ULA continues.

The Fall Guy

Johannes Lichtman seems willing to take sole responsibility for the Oxford American smear of the Underground Literary Alliance, as if the review, and the malicious way it was written, was entirely his idea.

It’s possible Lichtman bought the Bissell/Believer false narrative wholly. There’s no accounting for gullibility. Lichtman may have thought ULAers were indeed semi-sentient backwoods “Ranger Rick” Neanderthals scarcely capable of writing their own names. Like the sneering villain in a bad World War II movie, jackbooted and monocled, Lichtman assumed he could casually stomp us without blowback or complaint.

It didn’t occur to Johannes Lichtman that Tom Bissell’s essay on the ULA is essentially one giant lie from start to finish—from the opening premise that all writers are outsiders inhabiting no literary world to speak of.

Such ideas are propaganda for suckers. Have Dave Eggers and the McSweeney’s Gang behaved as if there were no literary world and no Insiders? Not for one minute. Dave Eggers was assiduously networking with every well-connected literary Insider and big publishing conglomerate he could find from Day One of his operations. Any unknown writers thrown into the mix were window dressing. Eggers went after the Moody-Minot blueblood New Yorker crowd. Those were the kind of writers he most wanted to buddy-up with and highlight.

Any quick investigation shows that the networking, the accommodating to Money and Power, has never ceased. Outsiders indeed!

Yet, as part of the game, Eggers continues to pretend that aside from the connections to Google Microsoft Amazon, to assorted and various big investment types, he’s actually an “indie” kind of guy. With the clueless, including Johannes Lichtman apparently, Eggers gets away with it. A variation of the Big Lie. Nobody questions the scamming, nor desires to question it. Take your meds. Don’t worry. Be happy. The state of the American literary world today.

(Be sure to buy the fearless satirical novel, The McSweeneys Gang, available via Nook or Kindle.)

The Power of McSweeney’s

THE FIRST INACCURACY

WHEN I discovered the Johannes Lichtman review of Magic Hours in the Oxford American, a review which smears the Underground Literary Alliance in its first paragraph, I sent Lichtman a brief email asserting that Tom Bissell’s essay was dishonest and filled with distortions. Lichtman’s response was, predictably, filled with condescension, defensiveness, and hostility. He said, “—show me the specific sentence where I (not Bissell) wrote something inaccurate—“

I found the sentence he’s looking for at the very outset, before Lichtman’s review itself, before any Tom Bissell quotes, when Lichtman describes Magic Hours as “—a book from a small, independent publisher.”

How small and independent—how “indie”—is the McSweeney’s outfit?

I could write a book on the matter, but I don’t have the space here for a book. I made a brief examination of the McSweeney’s organization. I found:

-McSweeney’s chief Dave Eggers is published by one of the biggest book companies in the business, Random House, which in turn is owned by the gigantic media conglomerate Bertelsmann. All paperback versions of Dave’s novels are published by Random House.

-Dave Eggers is celebrated by the literary establishment, as evidenced by his having won a Literarian Award from the National Book Foundation, and been nominated for a Pulitzer Prize.

-McSweeney’s is regularly involved in joint publishing ventures with these huge outfits. For instance, the yearly Best American Non-Required Reading series is a joint project with Houghton-Mifflin. The relationship has been ongoing for ten years.

-Eggers wife Vendela Vida, co-editor of McSweeney’s flagship The Believer, is published by HarperCollins, owned by the Rupert Murdoch media empire.

-Believer co-editor Heidi Julavits is published by Doubleday, part of Random House, which is part of Bertelsmann.

-Regular Believer contributor and long-time ULA antagonist Daniel Handler is a hugely successful author estimated to be worth a few hundred million dollars. His books are cranked out by two corporate publishers, HarperCollins and Little, Brown. Here’s an article about the author, from the New York Times, which discusses Handler’s immense wealth:

http://www.nytimes.com/2007/06/10/magazine/10lives-t.html

-National TV celebrity Amy Sedaris is regular contributor to The Believer. She does a monthly column for the journal entitled “Sedaritives.”

-Other regular contributors to The Believer are successful, award-winning authors published by the “Big Six,” who also carry clout within the halls of literature. Rick Moody and Jonathan Lethem are two of them.

-McSweeney’s cultivates relationships with international celebrities who are themselves controlled by conglomerates. In 2010, McSweeney’s published a collection of writing edited by famed movie director Judd Apatow. Contributors included Jon Stewart, David Sedaris, Adam Sandler, and Steve Martin, as well as big-name dead writers like F. Scott Fitzgerald. Most recently, McSweeney’s published a book by internationally known rock musician David Byrne.

-Big name authors published by flagship boutique journal McSweeney’s include Jonathan Franzen and Joyce Carol Oates.

-The McSweeney’s gang has a business relationship with at least one of the influential media outlets which review their books. Note this announcement at Salon.com from 4/15/10 in which Salon editor Kerry Lauerman announced “Our new partnership with McSweeney’s.”

http://www.salon.com/2010/04/15/mcsweeneys_2/

Incidentally, in 2012 Tom Bissell, himself a former Salon writer, was the subject of a gushy profile by Salon writer Katie Ryder titled “Secrets of Creation,” about Bissell’s McSweeney’s-published book.

-Dave Eggers and McSweeney’s books are regularly reviewed and lauded in America’s three main establishment book review outlets, New York Times Book Review, the New York Review of Books, and The New Yorker. This is evidence of a large profile and major media approval. Eggers is regularly profiled in large circulation glossies like Vanity Fair.

-McSweeney’s has established relationships with city bureaucracies not just in San Francisco, their home base, and Brooklyn, but across the country. For example, the City of Philadelphia named Dave Eggers’ What Is the What the selection for its “One Book, One Philadelphia” celebration for 2008, the novel the centerpiece of lectures, panel discussions, exhibits, and other activities throughout the city.

-One of the fundraising arms of the McSweeney’s empire is 826 National, founded by Dave and Vendela, an educational service with chapters in Los Angeles, Ann Arbor, San Francisco, Boston, Chicago, Seattle, Brooklyn, and Washington D.C. These outlets include boutique retail stores.

Supporters of 826 National include notable public figures James Franco, Robin Williams, Zadie Smith, Phil Jackson, Ira Glass, Jon Stewart, Spike Jonze—who co-authored a movie screenplay with Dave Eggers—and many others.

Board members of 826 National, in addition to Dave Eggers, include a Director of Corporate Communications at J.P. Morgan; an “Investor” at Comatus Capital; a California Deputy Attorney General, the Deputy Counsel to the Mayor of New York City; a Vice President at Time Warner Cable; a Senior Vice President and Senior Portfolio Manager at Morgan Stanley Smith Barney; and others.

Major donors to 826 National include Google and Microsoft.

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These aren’t slurs, Mr. Lichtman, though Dave Eggers and his gang may take them as such. They’re documented fact.

“Dave Eggers is the most powerful individual in today’s U.S. literary world,” is an opinion.

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Here’s another take on the McSweeney’s organization:

http://www.mobylives.com/Backlash.html

Note that this piece is from 2002, when journalists and writers were still free to express truths about the literary world. Yet hints about “backlash” from the literary establishment’s media lapdogs are present in the article.

Since 2002, McSweeney’s has grown only more influential and powerful.

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When Johannes Lichtman, at an Oxford American blog devoted to indie literature, designates the McSweeney’s organization as “a small, independent publisher,” is this accurate?

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(Buy the satirical novel The McSweeney’s Gang at Nook or Kindle.)