Metaphor of the Mask

The character "Fake Face" in my new e-book Crime City USA isn't a metaphor for any one particular writer, whether Daniel Handler, Keith Gessen, or anyone else. He's a metaphor for the entire cronyistic shithouse that's the established literary scene.

Lit's leading lights wear bright beaming masks of social justice and concern. Beneath the masks they're ruthless bastards who were raised with the knowledge that this is a dog-eat-dog world. It's why they fight to get into bastions of Elitism and Privilege like Columbia, Yale, or Harvard. Or crony-up quickly enough with that crowd. Cronyistas. They understand that playing the game on an UNlevel playing field favoring them is what it's about. Everything else from them is lip service. Token gestures for suckers like myself.

Visualize a smiling fake face on the lot of them, then realize it's only a mask. Beneath it, like the character in my melodrama, they're monsters.

Good vs. Evil

AGAINST POSTMODERNISM

Crime City USA, my newest e-book, doesn't follow postmodernist theory. It believes in retro concepts of good and evil, right and wrong-- and depicts those concepts through character and plot. The chief villain, Fake Face, could be a metaphor for the duplicitous thinking and corrupt behavior which rules the established literary world today.

Art is truth.

Have you read Crime City USA?

Crime City USA!

WHAT?  Gang wars.

WHERE?  A violent American city.

WHO?  Mysterious disguised figure Fake Face.

WHY?  Hyper-pulp fiction, next wave pop literature.

HOW?  E-book.

HOW MUCH?  99 cents at Nook or Kindle.